Avant Rock: Experimental Music from the Beatles to BjörkIs avant-garde rock music a contradiction in terms? Avant-garde trends emerged through the cultural and political upheavals of the 1960's, and acquired a new focus in the later Beatles, drawing upon many sourcees outside of rock, from John Cage to Cecil Taylor. In this fresh and challenging look at avant rock, Bill Martin outlines the entire phenomenon, from Yoko Ono, King Crimson, and Velvet Underground through the dynamic of progressive rock and punk in the 1970's and the watershed work of Brian Eno, to contemporary figures who continue to push the boundaries of rock: Sonic Youth, Stereolab, Merzbow, Bjork, Jim O'Rourke and many others. |
From inside the book
Results 1-3 of 76
Page 57
... Jazz , by Ekkehard Jost , first appeared in 1974 , followed by Valerie Wilmer's As serious as your life in 1977 , and John Litweiler's The Freedom Principle : Jazz After 1958 in 1984. A crucial gap is bridged by David H. Rosenthal's ...
... Jazz , by Ekkehard Jost , first appeared in 1974 , followed by Valerie Wilmer's As serious as your life in 1977 , and John Litweiler's The Freedom Principle : Jazz After 1958 in 1984. A crucial gap is bridged by David H. Rosenthal's ...
Page 57
... jazz improvisation which had established itself soon after the birth of jazz as a more or less incontestable norm . With an aura of inviolability , it had survived all the stylistic upheavals that followed - swing , bebop , cool jazz ...
... jazz improvisation which had established itself soon after the birth of jazz as a more or less incontestable norm . With an aura of inviolability , it had survived all the stylistic upheavals that followed - swing , bebop , cool jazz ...
Page 57
... jazz fan's viewpoint , was to be his last album ( In a Silent Way ) . Although labels are arbitrary , Miles Davis ' subsequent output is of little interest to the jazz record collector . ( p . 59 ) One cannot help but get an image here ...
... jazz fan's viewpoint , was to be his last album ( In a Silent Way ) . Although labels are arbitrary , Miles Davis ' subsequent output is of little interest to the jazz record collector . ( p . 59 ) One cannot help but get an image here ...
Contents
Foreword by Robert Fripp | ix |
Synthesis and new vocabularies 3 | 23 |
the Beatles come apart 12 | 32 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic album argued artists avant rock avant-garde band basic bass guitar Beatles Bill Laswell Björk blues Brian Eno Cage's called Cecil Taylor certainly chess classical music Columbia LP composer concert creative culture Deleuze discography drums dynamic electric guitar electronica elements Eno's especially example experience experimental rock experimental rock music film genre Glenn Gould going guitarist idea improvisation instrument interesting Jim O'Rourke John Cage John Coltrane King Crimson Kivy language later least Lennon listening mainstream mean Merzbow Miles Davis noise Ono's Ornette Coleman percussion percussionist perhaps period philosophy piano pieces played player postmodern progressive rock punk Quartet question recent recording Robert Fripp rock groups rock music rock musicians scene Schoenberg seems sense solo someone sometimes song Sonic Youth sort sound Stereolab Symphony techno things tion tradition trends trio turntable Tzadik CD Velvet Underground voice Wire Yoko Yoko Ono Zorn