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The LongHopedfor Child
The Hard Job of Being an Actor
On Being Truthful in Acting
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able achieve actor actress Anton Chekhov Artem artistic audience backstage beautiful began beginning character Cherry Orchard Constantin Stanislavski convey costume create creative critic curtain director drama dressing room emotions Eugene Onegin everything excitement expression external eyes face feelings footlights Gorki grotesque human Ibsen imagination impression inner laugh LEO TOLSTOY Lillian Gish Listen literary live look make-up means melodrama method Mikhailov mind Moscow Art Theatre nature objective Olga Knipper opera painter performance perhaps person phrase physical action Picard pince-nez play playwright production reason rehearsal remember repertory rhythm Richard Wagner Rigoletto role scene designer Seagull Sevastopol sing singer someone soul spectator stage Stanislavski talent talk technique theatrical things thought Three Sisters tion train truth turn Uncle Vanya vaudeville Vishnevski voice whole words write Yalta young yourselves