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Mildred Pierce and the Second World
Hitchcocks Traps and Lures
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aesthetic Alice Walker American analysis argues articulation audience avant-garde avant-garde film Black women Born in Flames British Film Institute Cagney and Lacey camera Celie characters Chodorow Color Purple constructed contemporary context critique cultural product defined desire director discourse documentary dominant essay experience family melodramas fantasy female spectator feminine feminism Feminist Film Criticism feminist film theory film noir film's filmic gaze gender genre heroine historical Hitchcock ideology Jefferies Jefferies's language Lisa Madonna mainstream narrative male masculine Material Girl meaning Mildred Pierce Mildred's mother movie narrative film negotiation Oedipal patriarchal pleasure political position problem psychoanalytic racism reading Rear Window relations relationship representation repression role romance scene screen semiotic sexism shot social subject space specific Spenser Spenser For Hire story strategies structure struggle Susan textual tradition University viewer visual voice white women woman women film-makers women's cinema women's films