From chantre to djak: cantorial traditions in CanadaThe performance of sacred song often involves the talents of cantors, chanters, precentors, and criers -- also known as chantres, djaky, psalom-shchniki, hazanim, protopsalti, and muezzins. The present volume explores this unique class of musicians from a variety of perspectives to offer the first survey of its kind. Folklorists join with ethnomusicologists, cantors, and enthusiasts to illuminate the many facets of this rich, living tradition. |
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Contents
AVANTPROPOS Carmelle Begin | 1 |
Part One PAPERS | 15 |
Part Two ANALYSES AND REPORTS | 93 |
Copyright | |
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Albert Mahon annees Basil's bien Bilanych Byzantine C'est Canada Canadian Museum cantillation cantor cantorial traditions choeur choir chorale Christian church music church singing Claude Gosselin congregation culture d'une daven deux diak eglises fait folklore full choir Gary Robertson Gelety godparents Healey Willan Holy hymnody hymns icons improvisation Jewish khazan khazanim khazanut Kipur kliros Klymasz kobzar Kozachok l'eglise learned lirnyky liturgie Maitrise Mary Magdalene's melodies meme messe Michael Owen minstrels Montreal mood Museum of Civilization musiciens musique liturgique musique sacree Nicholas nusakh Octoechos Orthodox Ottawa parish parishioners paroisse participation pendant performance plainsong Polish pratiques prayer premier pretre priest qu'il Quebec recitation religieuse religious repertoire ritual role Rosh HaShana Rudy Russian sacred Saint Sainte-Marie-la-Protectrice sang seminarians seminary Shabat song sous spiritual sung synagogue t'fila Toronto tradition musicale Ukraine Ukrainian Catholic Church ukrainienne voix Willan words Yiddish Yom Kipur Znamenny Chant