No Man's Land: Sexchanges

Front Cover
Yale University Press, Jan 1, 1991 - Literary Criticism - 483 pages
0 Reviews
In this second part of No Man's Land, Gilbert and Gubar focus on texts from the early part of the 20th century to expand on the claim made in the first volume that, for literary men and women, sexual battles were associated with sexchanges - or radically conceived gender roles.

What people are saying - Write a review

No man's land: the place of the woman writer in the twentieth century

User Review  - Not Available - Book Verdict

In the first volume of No Man's Land ( LJ 11/15/87), the authors outlined their impressive literary-historical study of 20th-century women writers. This second volume asserts that gender, the primary ... Read full review

No man's land: the place of the woman writer in the twentieth century

User Review  - Not Available - Book Verdict

In this first of a projected three-volume study of late 19th- and 20th-century writing by American and English men and women, the authors of The Madwoman in the Attic outline the terrain of a ... Read full review


The Agon of the Femme Fatale
The Colonies of the New Woman
Kate Chopins Fantasy
Feminization and Its Discontents
Willa Cathers Lost Horizons
Lesbian Double Talk
Literary Men Literary Women and the Great
Transvestism as Metaphor
Acknowledgments following

Common terms and phrases

References to this book

Judith Lorber
No preview available - 2003
All Book Search results »

About the author (1991)

A poet, feminist critic, and professor of English at the University of California at Davis, Gilbert received her Ph.D. from Columbia University in 1968. Her early work addressed canonical male figures, but in the 1970s she began to focus on women writers from a feminist perspective, teaming up with Susan Gubar in what has proven to be a very influential collaboration. In 1979 they published their first joint efforts, a collection of feminist essays on women poets, Shakespeare's Sisters, and The Madwoman in the Attic, an exploration of major nineteenth-century women writers, which has had a major role in defining feminist scholarship. This massive volume takes its title from Jane Eyre's "mad" and monstrous double, Bertha, hidden away in the attic by Jane's would-be lover, Rochester; Gilbert and Gubar see figures like Bertha as resisting patriarchy, subversive surrogates for the docile heroines who populate nineteenth-century fiction by women. Although Gilbert and Gubar's ideas have been very influential, many critics, particularly poststructuralists, have taken issue with them. For Gilbert and Gubar, a woman writer is by definition angry, and her text will express that anger, albeit in disguised or distorted form. Reading hinges on knowing the sex of the author, rather than on a careful analysis of the text itself and the multivalency of its language. Gilbert and Gubar's work is part of a debate about essentialist and antiessentialist feminist theories, which has addressed issues like "the signature" (the significance of knowledge about the author and authorial intentions) and gendered expression in general.

Susan Gubar is the coauthor of The Madwoman in the Attic, a foundational work of feminist criticism, and the coeditor of The Norton Anthology of Literature by Women. She lives in Bloomington, Indiana.

Bibliographic information