Unit Operations: An Approach to Videogame Criticism

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MIT Press, Jan 25, 2008 - Social Science - 264 pages
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In Unit Operations, Ian Bogost argues that similar principles underlie both literary theory and computation, proposing a literary-technical theory that can be used to analyze particular videogames. Moreover, this approach can be applied beyond videogames: Bogost suggests that any medium -- from videogames to poetry, literature, cinema, or art -- can be read as a configurative system of discrete, interlocking units of meaning, and he illustrates this method of analysis with examples from all these fields. The marriage of literary theory and information technology, he argues, will help humanists take technology more seriously and hep technologists better understand software and videogames as cultural artifacts. This approach is especially useful for the comparative analysis of digital and nondigital artifacts and allows scholars from other fields who are interested in studying videogames to avoid the esoteric isolation of "game studies."The richness of Bogost's comparative approach can be seen in his discussions of works by such philosophers and theorists as Plato, Badiou, Zizek, and McLuhan, and in his analysis of numerous videogames including Pong, Half-Life, and Star Wars Galaxies. Bogost draws on object technology and complex adaptive systems theory for his method of unit analysis, underscoring the configurative aspects of a wide variety of human processes. His extended analysis of freedom in large virtual spaces examines Grand Theft Auto 3, The Legend of Zelda, Flaubert's Madame Bovary, and Joyce's Ulysses. In Unit Operations, Bogost not only offers a new methodology for videogame criticism but argues for the possibility of real collaboration between the humanities and information technology.
 

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One of the best books in videogame studies and criticism to date.

Contents

1 Unit Operations
3
2 Structuralism and Computation
21
3 Humanism and Object Technology
31
II Procedural Criticism
47
4 Comparative Videogame Criticism
49
5 Videogames and Expression
55
6 Encounters across Platforms
73
III Procedural Subjectivity
91
9 The Simulation Gap
129
IV From Design to Configuration
137
10 Complex Networks
139
11 Complex Worlds
153
12 Critical Networks
171
Notes
181
Bibliography
215
Index
239

7 Cellular Automata and Simulation
93
8 An Alternative to Fun
111

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About the author (2008)

Ian Bogost is Ivan Allen College Distinguished Chair in Media Studies and Professor of Interactive Computing at the Georgia Institute of Technology, a Founding Partner at Persuasive Games LLC, and the coauthor of Newsgames: Journalism at Play (MIT Press, 2010).

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