Dan Graham: beyond
Dan Graham, Bennett Simpson, Chrissie Iles, Rhea Anastas, Kim Gordon, Rodney Graham, Nicolás Guagnini, Museum of Contemporary Art (Los Angeles, Calif.), Whitney Museum of American Art
Museum of Contemporary Art, Apr 30, 2009 - Art - 347 pages
Dan Graham is one of the most significant figures to emerge from the 1960s moment of Conceptual art, with a practice that pioneered a range of art forms, modes, and ideas that are now fundamental to contemporary art. The thrust of his practice has always pointed beyond: beyond the art object, beyond the studio, beyond the medium, beyond the gallery, beyond the self. Beyond all these categories and into the realm of the social, the public, the democratic, the mass produced, the architectural, the anarchic, the humorous. Graham's early work, Homes for America—a series of snapshots of suburban New Jersey tract housing accompanied by short parodic texts, made as a page layout for Arts magazine—announced a critical art grounded in the everyday, and it merged the artist's interest in cultural commentary with art's most advanced visual modes. His 1984 "video-essay" Rock My Religion traced a continuum of separatism and collective ecstasy from the American religious sect the Shakers to hard-core punk music.
This volume, which accompanies a major retrospective organized by the Museum of Contemporary Art, Los Angeles, offers the first comprehensive survey of Graham's work. The book's design evokes magazine format and style, after Graham's important conceptual work from the 1960s in that medium. Generously illustrated in color and black and white, Dan Graham: Beyond features eight new essays, two new interviews with the artist, a section of reprints of Graham's own writing, and an animated manga-style "life of Dan Graham" narrative. It examines Graham's entire body of work, which includes designs for magazine pages, drawing, photographs, film and video, and architectural models and pavilions.
Essays: Chrissie Iles on Graham's performance work • Bennett Simpson on Graham's interest and works in rock music • Beatriz Colomina on Graham's architectural pavilions • Rhea Anastas on Graham's early formation and short-lived operation of the John Daniels Gallery • Mark von Schlegell on Graham's interest in science fiction • Mark Francis on Graham's Public Space/Two Audiences (1976) • Alexandra Midal on Graham's conceptual works for magazine pages and magazine design • Philippe Vergne on Graham's puppet opera Don't Trust Anyone Over Thirty (2004) • Kim Gordon interview with Graham on their collaborations and music • Rodney Graham interview with Graham on jokes and humor in art
Distributed for the Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, Los Angeles
February 15-March 25, 2009
Whitney Museum of American Art, New York City
June 25-October 2009
Walker Art Center, Minneapolis
November 2009-February 2010
35 pages matching context in this book
Results 1-3 of 35
What people are saying - Write a review
We haven't found any reviews in the usual places.
actually Angeles architectural model artist and Electronic Arts Intermix EAl Arts Magazine Barcelona Pavilion Biennale body Branca camera Center College of Art Conceptual art Contemporary Art context critical culture Daniels Gallery Dean Martin Donald Judd Electronic Arts Electronic Arts Intermix exhibition film Flavin garden Germany Glenn Branca Graham Homes for America idea inches Courtesy installed Jeff Wall John Daniels Gallery Judd kind Kunst Laughs Lax/Relax Lisson Gallery London looking Marian Goodman Gallery Minimal Minimal art minutes Courtesy Mm-hmm modern monitor Museum of American Museum of Contemporary Nova Scotia College paintings Paris Park performance photographs piece Public Space/Two Audiences published punk reflected Robert Smithson Rock My Religion Schema March 1966 science fiction sculpture Sol LeWitt Sonic Youth space spectator Steve Reich structure television theater thing tion Venturi wanted Whitney Museum writing Yeah York