Euripides and the GodsModern readers find it hard to come to terms with the gods in Euripides' dramas. Readers try to dismiss them as a literary convention. Stage productions leave them out, especially in the cases when they appear ex machina. Instead, they place disproportionate emphasis on the harsh criticisms of the gods uttered by some of the characters in the dramas, and have sought to interpret Euripides ironically, viewing his portrayal of the cruel and capricious gods as a means of drawing attention to the deficiencies of ancient Greek religion. In their view Euripides' dramas seek to question the nature and sometimes even the very existence of traditional Greek gods. In Euripides and the Gods, classicist Mary Lefkowitz sets out to show that the tragedian is not undermining ancient religion, but rather describing with a brutal realism what the gods are like, impressing upon his mortal audience the limitations of human understanding. Writing the first extended treatment of these issues for a general audience, Lefkowitz provides a book that deals with all of Euripides' dramas, and argues for a more tolerant and nuanced understanding of ancient Greek religion. Euripides, like Homer, is making a statement about the nature of the world and human life, terrifying but accurate. She explains how the idea that Euripides was an atheist derives from ancient biographies that drew their evidence from comic poets, and shows why the doubts about the gods expressed by his characters must be understood in their dramatic context. Euripides and the Gods offers a compelling invitation to return to the dramatic masterpieces of Euripides with fresh eyes. |
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Contents
Greek Drama without the Gods? | 1 |
1 Euripides Socrates and Other Sophists | 24 |
2 Piety and Impiety in Euripides Heracles | 49 |
3 Athena | 77 |
4 Apollo | 99 |
5 Other Gods | 128 |
6 Gods behind the Scenes | 160 |
Conclusion | 193 |
Notes | 205 |
253 | |
269 | |
281 | |
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Common terms and phrases
Achilles action Admetus Aeschylus Agamemnon aithēr Alcestis Anaxagoras ancient audience ancient Greek Andromache Aphrodite Apollo appears ex machina Argives Argos Aristophanes Aristotle Artemis asks Athena Athenians Bacchae believe biographers buried Cadmus Castor chorus Clytemnestra comedy Creusa Cropp daughter dead death Delphi describes Diogenes Dionysus divine drama dramatists earth Electra Erechtheus Erinyes Euripides Eurystheus father Finglass god’s goddess gods happen Hecuba Helen Hera Heracles Hermes hero cult Hippolytus Homer honor human sacrifice impiety intervene Iphigenia killed Kovacs Lefkowitz 2012 lines Lloyd-Jones Lyssa Mastronarde 2010 Medea Menelaus Menoeceus modern mortal characters mother murder Neoptolemus nonetheless Oedipus offer oracle Orestes Peleus Pentheus Phaedra play poet Polydeuces Polydorus Polymestor Polynices portrayed Poseidon Prodicus prologue Protagoras punish religion ritual Satyrus says seems Socrates Sophocles speech story suffering Suppliants suppose Taurians Tauris tells temple Thebes Theseus Tiresias traditional tragedy TrGF Troezen Trojan Women Troy understand Verrall Xuthus Zeus