Music cultures of the Pacific, the Near East, and Asia
The purpose of this book is to survey the basic kinds of music and musical instruments found in the major oriental civilizations and in the island cultures of the Eastern Hemisphere. It is also intended as an introduction to the basic attitudes, techniques, and nomenclature of the discipline of ethnomusicology. Presents a romanization of the book of vocal examples along with a translation or explanation of their meaning. A sonic glossary index at the end of each chapter shows all non-western terms in alphabetical order including a unique prononciation audio cassette. The inclusion of human figures in all new drawings add information about playing positions as well as instrument designs. Contains a unique cassette of pronunciations by noted and qualified speakers.
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Rudiments of Ethnomusicological Music Analysis
Polynesia 18 Micronesia
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accompaniment aerophone Africa ancient Arab aria art music Asian music bamboo basic beats bowed lute called Central Asian century ch'in chant China Chinese music Chinese opera chordophones classical music court music Curt Sachs dance dastgah discussed drone dynasty East Eastern ensembles Ethnomusicology Figure flute Folkways Record function gagaku gamelan groups Guinea harp heterophonic historical idiophone Indian music indigenous Indonesian Islamic Jaap Kunst Japan Java kempul kenong ketawang kethuk knobbed gongs Korean lute maqam melody mode modern Moslem musical culture musicians North notation notes Oceania octave orchestras pan-Islamic patterns pentatonic performance Persian Philippines piece pipes pitch Plate played player plucked lute popular music raga rebab religious rhythm rhythmic scale secular shamisen singer singing slendro solo songs sound South Southeast Asia specific strings style sung tala theatricals Tibet Tibetan tion tonal tone system Traditional Music tsuzumi tube tunes vocal Western music zither