The Cambridge History of American Theatre
Don B. Wilmeth, Christopher Bigsby
Cambridge University Press, 1998 - Drama - 600 pages
This is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to playwriting, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the history addresses the economic context that conditioned the drama presented. The history approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. All volumes include an extensive overview and timeline, followed by chapters on specific aspects of theatre. Volume Three examines the development of the theatre after World War II, through the productions of Broadway and beyond and into regional theatre across the country. Contributors also analyze new directions in theatre design, directing, and acting, as well as key plays and playwrights through the 1990s.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Preface and acknowledgments
PostWorld War II to 1998
American Theatre in Context 1945Present
A Changing Theatre Broadway to the Regions
Off and OffOff Broadway
The Plays and Playwrights
Other editions - View all
acting actors African American Albee Albee's alternative theatre American drama American theatre Arthur Miller artistic director audience August Wilson avant-garde Award became began Broadway musical Broadway theatre career Center century characters choreographer City classics comedy contemporary created critical culture dance David death decade despite developed directed dramatists dream early Edward Albee ensemble explore fifties film Harold Prince John Kazan Living Theatre major Malina Mamet moved movie musical theatre Neil Simon Off-Broadway Off-Off Broadway Open Theatre opera Papp Performing Arts plays playwrights political popular postwar production Pulitzer realism regional theatres revivals Richard Foreman Robert role Sam Shepard scene Schechner season seventies sexual Shepard sixties social society songs stage star story Strasberg Studio style success television Tennessee Williams theatregoers theatrical tion Tony traditional Williams's Wilson women Wooster Group writing York