Ladders to FireAfter struggling with her own press and printing her own works, Anais Nin succeeded in getting Ladders to Fire accepted and published in 1946. This recognition marked a milestone in her life and career. Admitted into the fellowship of American novelists, she maintained the individuality of her literary style. She resisted realistic writing and drew on the experience and intuitions of her diary to forge a novelistic style emphasizing free association, the language of emotion, spontaneity, and improvisation. Ladders to Fire is the first volume of Nin's celebrated series of novels called Cities of the Interior For Anais Nin, her writing and her life were not separable, they were both part of the same experience. She claimed that "is it the fiction writer who edited the diary." Anais Nin continues to find an audience, whether for her fiction, her diaries, or her own life story, which has enjoyed the attention of biographers and filmmakers. This 1995 reissue of Ladders to Fire has a new cover and foreword. Anais Nin (1903-1977) was a unique literary figure of the twentieth century. As a novelist she was distinctly catalytic, and her life-long diary resembles no other in the history of letters. Her books have been translated in a dozen languages." |
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absinthe afraid anxiety appeared become blind blue body breath caresses chaos chastity belt Chess Player child Chinese Chinese dictionary Colette colors cricket dance danger danger danger dark desire Djuna door drank dream dress drink emollient everything eyes face Faustin fear feel feminine femme fatale garden gave gayety Gerard gestures gifts hair hands hate Helen human hunger hurt husband inside Jay's Joan of Arc knew LADDERS TO FIRE Larry laughed leaped light Lillian became Lillian felt living looked lost lover mirror Montparnasse mood mother mouth muff mystery Nanny never night pain painting Party passion Pelleas and Melisande perfume phonograph phosphenes piano playing pleasure Rango rhythm Sabina secret seemed sensual shadows smile soft stood street strength studio talk thought took touch turned violent voice waiting walked warm warmth window woman women words