Art & FilmNicola Kearton Since its inception in 1896, film has interacted continually with movements in art and criticism. Artists have been inspired by the fascination of the moving image and film makers have found their vision through the medium of painting. In today's multimedia age, film is seen as the ultimate visual art. This special issue published to tie in with the centenary of the invention of film presents an analysis of the subtle links between art and film, artist and filmmaker. It considers film as an inseperable element of contemporary art practice in the 1990s, and includes essays on the work of Peter Greenaway, performance artist Annie Griffin, Alain Fleischer, Beth B., and extracts from an interview with the late Derek Jarman. |
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action painting aesthetic Alain Fleischer Annie Griffin art and film artist audience becomes Beth B's body camera canvas Caravaggio Christian Boltanski cinema close-up contemporary art context create critical cultural depicts Derek Jarman dialogue duration electronic ence event exhibition experience explore face female fiction film's filmic filmmakers frame Gallery gaze Gillian Wearing Green Greenaway's Hollywood imagination installation interest John Cage Ken Russell light live London Luc Tuymans Lydia Lunch Mark Wallinger meaning mirrors movement moving Musée museum narrative Nick Zedd objects painter painting performance Peter Greenaway photographic picture played position produced projected projector Prospero's Books punk questions record red dress relationship representation Richard Kern role scene screen script seen shot sound soundtrack space spatial studio super-8 technologies television tion tive traditional Tuymans viewer violence vision visual arts watch Whilst woman Wyn-Evans York Zedd Zurbrugg