Postcolonial Piracy: Media Distribution and Cultural Production in the Global South
Lars Eckstein, Anja Schwarz
Bloomsbury Publishing, Oct 23, 2014 - Political Science - 256 pages
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.
Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity.
Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.
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3 On the Benefits of Piracy Volker Grassmuck
4 Dreaming with BRICs? On Piracy and Film Markets in Emerging Economies Shujen Wang
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5 The Paradoxes of Piracy Ramon Lobato
7 Keep on Copyin in the Free World? Genealogies of the Postcolonial Pirate Figure Kavita Philip
Race Colonialism and Ownership Adam Haupt
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The Serious Play of Piracy in Bolivian Indigenous Music Videos Henry
Copyright Piracy and the Politics of Culture in Postcolon
Reflections on Authorship in the Postcolonial Pirate Domain Satish Poduva
The Real Pirates Dilemma Marcus Boon
Other editions - View all
Africa antipiracy appropriation argue artists audience authors Bamako Bolivian Brazil BRIC capital cassette centre century Chandran charango China cinema circulation colonial commons communist consumers contemporary context copy copyright law counter-drama countries created creativity criminal critical critique cultural appropriation cultural production culture economy Daleste debate Delhi depropriation discourse disks distribution emerging economies enforcement Evo Morales example Facebook film Foucault Funk Carioca global South Gregorio illegal India industry infrastructure intellectual property Karaganis Kerala labour Larkin Lawrence Liang Lemos Lessig Liang Lion King Macha Mali Malian Mamani media piracy modernity money trouble music piracy musicians neoliberal networks Nigeria original originario peripheral music pirate figure play police political popular postcolonial piracy practices public domain Rajappan recordings regime release social song space Sundaram Tecnobrega tinku Udayananu Tharam University Press urban vendors wariko WikiLeaks YouTube