Problems of Hindustani Music |
Contents
CHAPTER | 10 |
Background of Earlier Centuries | 17 |
Willard | 37 |
Copyright | |
7 other sections not shown
Common terms and phrases
additional notes Ahobala alapa amsas anga anuvādi aroha and avaroha Banerjee Banerjee's Bhairavi Bharata Bhatkhande called century chyuta classical music compositions dhaivata dhin Dhrupad emotions folk-music folk-songs ga ma pa gāndhāra Goswami grāma Hindu Hindustani music important note Indian music intervals jātis Jayjayanti kaisika kākali Kalyāṇ Kānāḍā Kāphi Khamāj Kheyal komala Kramik Lochana Lucknow ma pa dha madhyama madhyama-grāma Mallar mandra mātrā melody mentions mukāms mūrchhanās musicians names niṣāda notation octave omitting pa dha ni pakaḍ pańchama post-Ratnakar Pūrvi quarter-tones raga rāgas Raginee Rāmāmātya relation rhythm ṛṣabha sa re ga sādhāraṇa sadja samvadi Sangit Paddhati Sanskrit Sanskrit writers says seven notes seven suddha seven-note scales sing Somanatha songs śrutis Śrutis Śuddha style suddha notes suddha scale sung tāla Tappā tāra thața Thumri tivra tivratara Toḍi tonics treatises tunes twelve notes vādi varṇa vikṛta notes Vikṛta svaras viņā vivādi Willard Yaman ра