Freytag's Technique of the Drama |
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accessory according acters action actor Ęschylus ancient Antigone Antony appear arrangement artistic audience beautiful becomes beginning Cęsar cęsura catastrophe characteristic chief characters Clavigo climax Clytemnestra color connection contrast Coriolanus counter-play course creative Creon death deed demands drama dramatic art Edipus effects elaboration Emilia Emilia Galotti entirely epic episodes Euripides exciting force exposition expression feeling figures fulness German give Goethe greater Greeks Hamlet hearer hero historical human idea important individual inner Intrigue invention Juliet Julius Cęsar lyric Mary Stuart material means ment mood motive movement nature Neoptolemos occurrence Odysseus Othello passion passionate emotions peculiar perceived persons Philoctetes piece play player poet poet's poetic poetry present prince produced relations representation represented Richard III rising rōles Romeo Romeo and Juliet scenic Schiller Shakespeare significance single sion Sophocles soul spectator speech stage striking struggle suspense tion tragedy tragic force transformation unity verse Wallenstein words