Faking it: Manipulated Photography Before Photoshop
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
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advertising aesthetic Albumen silver print applied color applied media Archive born camera image collage Collection combination printing created culture Daguerreotype darkroom depict dream Edward Steichen English exhibition exposure ﬁeld ﬁgures ﬁlm ﬁnal ﬁne ﬁrst ﬁve Galton Gelatin silver print graphic graphs Heartﬁeld Henry Peach Robinson Herbert Bayer JB CAT John Klein landscape London magazine medium Metropolitan Museum ofArt Mortensen Mumler Museum of Modern National Media Museum newspaper Notman ofhis ofthe Oscar Gustave Rejlander painted paper negative Paris photogra photographic image photomontage Photoshop pictorial picture popular portrait postcard Press print from glass print with applied produced published reﬂections Rejlander retouching scene silver print CAT sitter Stalin Steichen straight photography studio Surrealism Surrealist tabloid technique tion tographic truth twentieth century Twentieth-Century Photography Fund Uelsmann Unidentiﬁed American artist viewers visual Weegee William William Mortensen William Notman York Yves Klein