DK Art School: An Introduction to AcrylicsWhether you've taken art classes or never held a brush before, this comprehensive, clear, and concise guide will show you everything you need to know about working in this challenging—but rewarding— medium. Written by accomplished artist Ray Smith, it paints a clear picture of everything an acrylic artist needs to know, from selecting your colors and working with washes to the alla prima layering technique and exploring new ideas and presenting your art, in only 72 concise pages. The book features hundreds of vivid, crystal-clear full-color photographs, essential for understanding the fine points of such a visual medium. And it offers easy-to-follow projects, shown as they were created, which teach the essentials while inspiring the student to tackle increasingly complex techniques. An Introduction to Acrylics is part of the DK Art School series. Each volume of the series focuses on a specific medium and subject, so you can choose precisely what you want to learn — from acrylic figure to oil portrait, and from pastel still life to watercolor landscape. |
From inside the book
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Page 29
... style and subject matter are new to acrylic painting , you should not expect a uniquely personal style to develop immediately . It is not simply a question of finding a way of working with the paint itself that suits you . Painting is ...
... style and subject matter are new to acrylic painting , you should not expect a uniquely personal style to develop immediately . It is not simply a question of finding a way of working with the paint itself that suits you . Painting is ...
Page 38
... styles . On the one extreme , you can make absolutely smooth , flat - toned paintings in which the actual This ... style because the medium can be applied much more evenly than other media . Using this approach , each area of color ...
... styles . On the one extreme , you can make absolutely smooth , flat - toned paintings in which the actual This ... style because the medium can be applied much more evenly than other media . Using this approach , each area of color ...
Page 69
... style and subject matter of the painting . Changing focus and format Through well - judged cropping , it is possible to modify a composition quite radically before you frame it , by deciding to block some parts of it out altogether ...
... style and subject matter of the painting . Changing focus and format Through well - judged cropping , it is possible to modify a composition quite radically before you frame it , by deciding to block some parts of it out altogether ...
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Common terms and phrases
acrylic color acrylic paint added airbrush Andy Warhol applied areas of color artists Azo Yellow blending Bridget Riley bristle brush brushstrokes brushwork Burnt Sienna Burnt Umber Cadmium Red Cadmium Yellow canvas cardboard charcoal Chuck Close color wheel complementary composition create damp brush dark tones detail diluted dried edge effect emulsion flat foreground frame gel medium give glaze gray green high-key highlights impasto layers light masking fluid mid-tones mixing Morris Louis oil pastel opaque acrylic opaque color opaque paint orange overall overpainted painting knife painting surface pale palette Paula Rego Phthalo Blue pigment primer produce resist techniques round soft sable scene scraped scumbling Sgraffito shadows shape shows sketch sponge stenciling strokes style synthetic brush texture thick thickly thin acrylic thin washes Titanium White tonal toned ground transparent color transparent washes Ultramarine underpainting varnish wash brush watercolor painting wet-in-wet white paper window Yellow Ochre