The End of Early Music: A Period Performer's History of Music for the Twenty-First Century
Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
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The End of Early Music: A Period Performer's History of Music for the Twenty ...
No preview available - 2007
ćsthetic Affections artist audience AUDIO SAMPLE authentic Bach Bach’s Baroque music Baroque period Beethoven Bowen Brüggen Burney called Canonic Canonic music Cantata chronocentrism Classical Collingwood composer composer’s concert conductor contemporary copies dynamic E. T. A. Hoffmann Early music eighteenth eighteenth-century example expression Fabian Frans Brüggen gestures graces Gustav Leonhardt Handel Harnoncourt harpsichord hear heard idea imitation improvisation invented kind Kreisler Landowska legato Leonhardt listeners long-line phrase Mattheson meaning melodic Modern style Monteverdi movement Mozart musicians musicology nineteenth century notation notes one’s opera orchestra original OVPP past performance practice performing style Period instruments Period style piano piece players playing portamento Quantz quoted recordings repertoire Rhetorical music Roger North Romantic music Romantic style Romanticism rubato score Seconda Pratica seems Skowroneck slurs sound Stokowski Strait style style-copying symphony Taruskin taste tempo thing Track tradition twentieth century vibrato violin Wanda Landowska words writes written wrote