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ANCIENT INDIAN THEORY OF DRAMA
LITERARY STRUCTURE OF DRAMA
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A. K. Coomaraswamy according actors acts addressing ancient Indian Ancita anger Arya Asuras Atikranta beloved Bharata Bhasa Bhramari body Brahma Brahmins called Cari Carl Caturasra caused by Determinants characters colour Complementary Psychological connexion costumes courtezan Daityas Danavas dance Dhruva Durable Psychological Erotic Sentiment Example eyeballs eyes feet female follows four Gait Gandharvas gestures Glance gods graceful hands head Heroine Histrionic Representation horripilation indicate Jarjara Kalas Kalidasa Karanas Karihasta Katicchinna Karanas king Kuncita last are heavy left foot limbs Mandala means mentioned metre movement moving Nataka Natyasastra objects occur one's ornaments performance persons Pingala play playhouse plot Prakarana Prakrit Raksasas Recitation relates represented rest light right foot rules sandhi Sanskrit Sattva Siva Sloka songs speak spectators stage by Consequents Sthana Style superior Svastika syllables Tala three kinds translation Trika Vahlika various Walking-round woman women words Yaksas Yamaka