Fear and fashion in the Cold War
From Barbarella's bikini to vinyl radiation suits to high-tech jewelry, the Cold War's impact on fashion was unmistakable. Atomic anxieties, the space race, technological developments, and the first forays into "super-reality" led to innovations in materials, the cybernetic visions of the 1960s, and a range of surprising responses from artists, filmmakers, scientists, and designers. With a stunning selection of images, including photographs by fashion luminaries such as John French, Fear and Fashion in the Cold Warexplores how the image of the body was shaped by Cold War concerns between 1945 and 1970. In this engaging book, Jane Pavitt incorporates military, political, and scientific research in an engrossing discussion of how countercultural theories and experiences in the later 1960s shaped an alternative view of the "Cold War Body."
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The Space Age Body
The Cybernetic Body
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aluminium American National Exhibition anxieties Archigram architects Astronautics Barbarella behaviour bikini Body Covering 1968 body stockings boots boutique catsuits Claxton clothing Cold collection Colomina coloured competition contemporary Coop Himmelblau Courreges Crowley and Pavitt culture cybernetic CYBERNETIC BODY cyborg David developed discussion display electronic environment environmental experience explored FEAR AND FASHION film future futuristic fashion garments Giffo Gijs Bakker helmet Hollein Home human body idea imagined industrial inflatable structures Ivan Sutherland jewellery jumpsuit Khrushchev Krzysztof Wodiczko Leersum light London magazine Mao Suit Marshall McLuhan material metal military modern Moscow NASA Nixon nuclear nylon Paco Rabanne paper dress Photograph Pierre Cardin plastic popular post-war produced Project prototypes Rabanne's Reyner Banham Rudi Gernreich Schollhammer social socialist Soviet Space Age Space Race spacesuit suit Suitaloon synthetic fabrics television Toffler utopian Utopie vinyl vision visor Walter Pichler wear wearable technologies wearer Wodiczko worn York