Mondrian: The Art of DestructionThis book on Mondrian, one of the great pioneers of abstract art, analyzes the interrelation between his paintings and his theories on art and life as expressed in public writings and (largely unpublished) letters. Mondrian's art was not based on reasoning or calculation – on the contrary, intuition was central to his concept of the artistic process – but he always felt a strong urge to position his art in a wider cultural and philosophical context. Crucial to Mondrian's thought was the Theosophical notion of evolution, which required the destruction of the old to make room for the new, in life, in society and in art. Mondrian: The Art of Destruction concentrates on the paintings, the artist's major achievement, examining the influences that shaped his art: Fauvism and Cubism c.1910, the work of Bart van der Leck, De Stijl and the Parisian art world during the 1920s. Mondrian appears not as an isolated figure, but as an artist who took a keen interest in the world around him, a veritable avant-garde painter who saw his role as a creator of a new, modern culture. |
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Contents
Acknowledgements | |
The Years to 1914 | 19 |
191419 | 82 |
NeoPlastzicist Painting | 128 |
191944 | 168 |
References | 241 |
248 | |
256 | |
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abstract abstract art Amsterdam appeared architect architecture artists black lines Blotkamp Bremmer cardboard charcoal on paper Colour Planes Composition with Colour Composition with Red contrast critic Cubist dating defined diagonal diamond-shape paintings difficult display Domburg drawings Dutch evolution exhibition catalogue expression field figure pieces finally find first floor flowers friends gallery gouache grey grid Haags Gemeentemuseum Hague illus influence Jean Gorin Joosten Kriiller-Miiller Kunst landscapes later Leck Leek Léonce Rosenberg letter Michel Seuphor Mondrian wrote Mondrian’s studio motif Neo-Plastic Neo-Plasticism Netherlands Nieuwe non-colour oil on canvas painter Paris period photograph picture plane Piet Mondrian portrayed primary colours Private collection probably published referred reflected relationship rue du Départ Schelfhout significance Sketchbook specific spiritual Stedelijk Museum Stijl Still-life symbolic Theo van Doesburg theory theosophical Toorop triptych Victory Boogie Woogie visual wall Welsh Winterswijk writings Yellow and Blue York Yve-Alain Bois