Blurring the Boundaries: Installation Art, 1969-1996

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Hugh Marlais Davies, Ronald J. Onorato
Museum of Contemporary Art, San Diego, 1997 - Art - 198 pages
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Far from being the latest movement or a new development in contemporary art, installation art, one could argue, is only the most recent manifestation of the oldest tradition in art, going as far back as the prehistoric paintings on cave walls at Lascaux. Fundamental to this work are its habitation and incorporation of a physical site, a connection to real conditions - be they visual, historical, or social - and often, a bridging of traditional art boundaries. The aesthetic power of installation art does not reside in the singular, commodified object but rather in the artwork's ability to become, not merely represent, the continuum of real experience.
Blurring the Boundaries examines the subject of installation art through the permanent collection and exhibition record of the Museum of Contemporary Art, San Diego, an institution with a unique heritage in support of such art dating back to the 1960s.

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Blurring the boundaries: installation art, 1969-1996

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When most people think of installation art, they assume it must be radical, abstract, and nearly incomprehensible. However, as a means of communication, it is unusually holistic and direct, and it is ... Read full review


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