Articulating Selves: Contemporary Chicana Self-representationThe work proposes a critical approach to Chicana identity in literature, supporting the thesis that ethnic identity is constructed through the articulation of the literary characters’ multiple selves. The analysis of the works of Wilbur-Cruce, Cisneros, Ortiz Taylor, Castillo, Limon, and Martinez places identities at the intersections of ethnicity, gender, sexuality, and class, focusing on the characters’ projects of reconstructing their past. The notion of ‘Articulating Selves’ also promotes a way of assuming the subject’s agency, as the characters give voice to their visions of ‘woman’ as an active, dynamic subject. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Introduction | 1 |
Chapter 1 | 16 |
The Tradition of Autobiography | 29 |
Copyright | |
5 other sections not shown
Common terms and phrases
According American Ana's Anglo Arden articulation autobiography Beautiful becomes beginning called Castillo's chapter Chicana childhood Cisneros's concept consciousness constructed Country create critical cultural desire discussion elements Esperanza ethnic example experience father Faultline feelings female feminist fiction figure gender girl give House on Mango identity important Indian individual instance involves José language lesbian letters literature lives look male Mango Street María meaning memory Mexican Mexico mother Mother Tongue movement multiple narrative narrator notion novel offers origin Ortiz Parents past person political positions postmodern present produces question reader reading refers relation remember representation says sexuality social space Spanish story symbol tell Teresa tion tradition turn various voice Wilbur-Cruce's woman women writing written young