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PART ONETHEORY OF SOCIALIST MUSIC
PART TWOAPPLICATION OF THE THEORY
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Akyns Alexander ancient Aram Khachaturyan Armenian artistic Ashug audiences Azerbaijan Azerbaijanian ballet Boris Asafiev Brussilovsky century Chishko Choir choral chorus classic colour composer's Concerto Conservatory of Music creative dance developed dramatic Dzerzhinsky Ensemble epic folklore folkloristic Gadzhibekov Georgian national Glier Gnessin historic instrumental Julia Weissberg Kazakh Kazakhstan Khachaturyan Khrennikov Kiladze Kirghiz Kirghizian komooz koo-oo Leningrad libretto lyric Manas Maximilian Steinberg melody Moscow Conservatory Mugamat music critics musical culture musical language musicians Muzgiz national music native Nikolai Myaskovsky opera Opus orchestra organised Paliashvili performed piano pianoforte played poem poet polyphony realism Red Army Red Banner repertoire Republic rhythm Sassun scene Sergei Prokofiev Sergei Vasilenko Shaporin Shostakovich singing Socialist music solo Sonata songs Soviet composers Soviet music Soviet Opera Spendiarov Stalin Premium Steinberg String style Symphony Symphony-Cantata talent Tchaikovsky Theatre theme Tikhon Khrennikov tion traditions tunes Union Uzbek Vasilenko Violin vocal voice wrote Yakut Yakutian Yuri Shaporin Zhelobinsky