Debussy Studies

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Cambridge University Press, Apr 10, 1997 - Music - 235 pages
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Our knowledge of Debussy's life and music has increased considerably during the last decade or so, largely through the efforts of those working on the long overdue complete edition of his music. Many of the contributors to this volume, first published in 1997, have worked on various pieces in the complete edition and the significance of their research is apparent here. Topics include an examination of Debussy's working methods, his visual tastes and his response to literature, his reception in England, as well as aspects of performance practice. It also includes a close study of Debussy's relationship to the poet Stéphane Mallarmé. An appendix reproduces a discarded scene from Maeterlinck's 'Pelléas' for the first time, and the book is particularly rich in previously unpublished facsimiles and other little-known illustrative material.
 

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Contents

theconceptof time in Pelleas 26
26
amendments in Debussys Norrnrurs 51
51
sources and performance 78
78
Portrait of the artist as Roderick Usher 108
108
The reception of Debussy smusic in Britain upto 1914 139
139
Debussy and Satie 154
154
Semanticandstructuralissuesin DebussysMallarmesongs 179
179
a mislaid act in Rodrigueet Chimene? 201
201
Index 229
229
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