Brecht's Early Plays |
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action adaptation Anna appetites attitude audience Baal Baal's Balicke ballad Begbick behaviour Berlin Bertolt Brecht Bloody Five bourgeois Brecht's early plays Caspar Neher Caucasian Chalk Circle characters conflict contrast death Der Jasager Diaries Die Dreigroschenoper dramatic Drums Eduard Edward II effect emotional emotionalism Erich Engel existential experience exploitation expression Expressionism Expressionist fact farce fate feelings fight Frankfurt a.M. freedom Galy Gay Galy Gay's Garga Gaveston gesture ghost motif hand hero human imagery imagination individual ironic Jasager Jeriah Jip Jungle king Kragler later Lehrstück life's lives Macheath Mahagonny Mahoney Mahoney's man's Marlowe's Marxist material metaphor Methuen translation moral Mortimer Mortimer's Murk nature Night parody passion Peachum play's pleasure political present problems revolution revolutionaries role scene sexual Shlink Shlink and Garga simply social soldiers speech spiritual struggle style symbolic symbolised Tahiti tendency theatre theatrical Threepenny Opera transience underlying violence Whereas