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action adaptation Anna appetites attitude audience Baal Baal's Balicke ballad Begbick Beggar's Opera behaviour Bertolt Brecht Bloody Five bourgeois Brecht's early plays Caspar Neher Caucasian Chalk Circle characters conflict contrast death Diaries dramatic Drums Eduard effect Elisabeth Hauptmann emotional emotionalism Erich Engel existential experience exploitation expression Expressionism Expressionist fact farce fate feelings fight Frankfurt a.M. freedom Galy Gay Galy Gay's Gaveston gesture ghost motif hand hero human imagery imagination individual ironic Jasager Jeriah Jip Jim Mahoney Jungle Killingworth king Kragler later life's lives Macheath Mahagonny Mahoney Mahoney's man's Marlowe's Marxist material metaphor Methuen translation moral Mortimer Mortimer's Mother Courage Murk nature Night parody passion Peachum play's pleasure political present problems revolution revolutionaries role scene sexual Shlink and Garga simply social soldiers speech spiritual struggle style symbolic symbolised Tahiti tendency theatre theatrical Threepenny Opera transience underlying violence Whereas