Jazz isThis book is a selective tribute and guide to the jazz life, the players, and the music. It is not a chronological or comprehensive history, but rather a personal exploration through variegated seminal figures of a nature of the music (and how it keeps changing). And it is about the nature of those who make the music - temperaments as disparate as those of Louis Armstrong and Charlie Parker. It tells, too, of the political economy of jazz, its internationalization, the continuing surprises of its futher frontiers. |
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Page 143
... scream at Duke Jordan [ the pianist ] not to follow Bird , but to stay where he was . Then , eventually , it came around as Bird had planned and we were together again . Bird used to make me play . He'd lead me up on the bandstand . I ...
... scream at Duke Jordan [ the pianist ] not to follow Bird , but to stay where he was . Then , eventually , it came around as Bird had planned and we were together again . Bird used to make me play . He'd lead me up on the bandstand . I ...
Page 214
... scream . The people in the studios were screaming . " Perhaps Om , the first vibration , is a scream . Perhaps Coltrane wished so hard to transcend all of what he regarded as his baser , antispiritual elements , that he was doomed ...
... scream . The people in the studios were screaming . " Perhaps Om , the first vibration , is a scream . Perhaps Coltrane wished so hard to transcend all of what he regarded as his baser , antispiritual elements , that he was doomed ...
Page 233
... scream or cry . " The distinguished British critic Benny Green , after hearing Cecil Taylor's first recordings in ... screaming ovations several times during the course of the performance , the distinguished Los Angeles critic Leonard ...
... scream or cry . " The distinguished British critic Benny Green , after hearing Cecil Taylor's first recordings in ... screaming ovations several times during the course of the performance , the distinguished Los Angeles critic Leonard ...
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Common terms and phrases
alto Antonio das Mortes asked audience Balliett Barbieri bass bassist beat become Benny big band Billie Holiday Billie's Bird Bird's black music black musicians blues Cecil Taylor Charles Mingus Charlie Parker Chicago chords classical club Coleman Hawkins combo continued Count Basie critic dance Dizzy Gillespie drummer Duke Ellington Evans feeling Gato Gerry Mulligan going Harlem hear heard Hines horn improvisation instrument jam session jazz history jazz musicians jazzmen John Coltrane Kansas City kids kind knew Lady later Lester Young listen look Louis Armstrong McShann melody Miles Davis modern jazz never night notes once orchestra Orleans Pee Wee pianist piano play recalls recording session Rex Stewart rhythm section rhythmic Roy Eldridge saxophone saxophonist scream sing solo soloists sometimes sound stand swing talking Teddy Wilson tell tenor Thelonious Monk there's thing Third World told Trane trumpet player write York