Installation Art: A Critical HistoryInstallation Art provides both a history and a full critical examination of this challenging area of contemporary art, from 1960 to the present day. Using case studies of significant artists and individual works, Claire Bishop argues that, as installation art requires its audience to physically enter the artwork in order to experience it, installation pieces can be categorised by the type of experience they provide for the viewing subject. As well as exploring the methodologies of the artists examined, Bishop also explains the critical theory that informed their work. While revising and, in some cases, re-assessing many well-known names, this fully illustrated book will introduce the reader to a wide spectrum of younger artists, some yet to receive critical attention. Book jacket. |
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Installation art: a critical history
User Review - Not Available - Book VerdictInstallation art is more of an impulse than a unitary movement, and artists from the surrealists to the minimalists have created installations. London Evening Standard critic Bishop (curator, Royal ... Read full review
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one of the best sources for Installation art... Thank you Claire!
Contents
Installation art and experience | 6 |
The dream scene | 14 |
Heightened perception | 48 |
Copyright | |
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Common terms and phrases
2ooo Acconci activated spectatorship Allan Kaprow argued art's Artforum artists Asher Barthes Beuys's body Bourriaud Broodthaers Bruce Nauman Caillois Cardiff centred chapter cinema colour consciousness contemporary art Corridor Courtesy critical culture darkness decentred democracy discussed Documenta Eliasson experience Felix Gonzalez-Torres film fragmented Freud gallery space Graham Gregor Schneider Group Material heightened Helio Oiticica Hirschhorn history of installation Ibid idea ideology immediacy immersive individual inside installation art James Turrell Joseph Beuys Kabakov Kaprow Krauss Kurt Schwitters Kusama Lacan Laclau light Lissitzky literal London Marcel Marcel Broodthaers Meireles Merleau Merleau-Ponty Michael Minimalism Minimalist sculpture mirror Museum objects op.cit painting participation Paul Thek perception performance perspective phenomenological physical piece political present reflected relational aesthetics relationship Rirkrit Tiravanija Samaras screen sense sensory social sculpture spectator structure Surrealist Exhibition Thomas Hirschhorn Tiravanija total installation type of installation Untitled viewer viewing subject visitors Vito Acconci walls Whitechapel York