Installation Art: A Critical HistoryInstallation Art provides both a history and a full critical examination of this challenging area of contemporary art, from 1960 to the present day. Using case studies of significant artists and individual works, Claire Bishop argues that, as installation art requires its audience to physically enter the artwork in order to experience it, installation pieces can be categorised by the type of experience they provide for the viewing subject. As well as exploring the methodologies of the artists examined, Bishop also explains the critical theory that informed their work. While revising and, in some cases, re-assessing many well-known names, this fully illustrated book will introduce the reader to a wide spectrum of younger artists, some yet to receive critical attention. Book jacket. |
From inside the book
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Page 24
... visitor ' and the fully interactive role of audiences in the Happenings . Words 1962 was a rearrangeable environment with light and sounds ' , in which visitors could select words pre - painted on white sheets of paper and hang them ...
... visitor ' and the fully interactive role of audiences in the Happenings . Words 1962 was a rearrangeable environment with light and sounds ' , in which visitors could select words pre - painted on white sheets of paper and hang them ...
Page 68
... visitors who enter the installation . For Acconci , this perceptual activation was expressly political in motivation : much of the early work focused on instrumentality because at that time there was an illusion that the instrumentality ...
... visitors who enter the installation . For Acconci , this perceptual activation was expressly political in motivation : much of the early work focused on instrumentality because at that time there was an illusion that the instrumentality ...
Page 118
... visitors , and the detritus , utensils and food packets became the exhibit whenever the artist wasn't there . A more elaborate version of this live installation was undertaken in Untitled ( tomorrow is another day ) 1997 , at the ...
... visitors , and the detritus , utensils and food packets became the exhibit whenever the artist wasn't there . A more elaborate version of this live installation was undertaken in Untitled ( tomorrow is another day ) 1997 , at the ...
Contents
Installation art and experience | 6 |
The dream scene | 14 |
Heightened perception | 48 |
Copyright | |
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Common terms and phrases
activated spectatorship argued art's Artforum artists Asher Barthes become Beuys's body Bourriaud Broodthaers Bruce Nauman Cardiff centred chapter cinema colour consciousness contemporary art corridor Courtesy critical culture Dan Graham darkness decentred destabilise discussed Documenta El Lissitzky Eliasson experience Felix Gonzalez-Torres film first-hand fragmented Freud gallery space Graham Gregor Schneider Group Material heightened Hélio Oiticica history of installation Höller Ibid idea ideology immediacy immersive individual inside installation art institutional James Turrell Joseph Beuys Kabakov Kaprow Krauss Kurt Schwitters Kusama Lacan Laclau light Lissitzky literal London Marcel Marcel Broodthaers Meireles Merleau-Ponty Michael Minimalism Minimalist sculpture mirror Museum objects op.cit painting Parangolés participation Paul Thek perceiving performance perspective physical political present reflected relational aesthetics relationship Rirkrit Tiravanija screen sense sensory social sculpture spectator structure Surrealist Exhibition Thomas Hirschhorn Tiravanija total installation type of installation Untitled viewer viewing subject visitors Vito Acconci walls Whitechapel York