Russian Art of the Avant-garde: Theory and Criticism, 1902-1934John E. Bowlt |
Contents
History of Russian Painting in the Nineteenth Cen | 3 |
Free Art as the Basis of Life Harmony and Dissonance | 9 |
Content and Form 1910 | 17 |
Copyright | |
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Russian Art of the Avant-garde: Theory and Criticism, 1902-1934 John E. Bowlt No preview available - 1988 |
Common terms and phrases
active aesthetic AKHRR Aleksandr Rodchenko Aleksei architecture artistic culture artistic labor avant-garde beauty bibl Blue Rose canvas collective color conception congress construction constructivism Constructivists create creation creative critics Cubism David Burliuk depiction easel painting El Lissitzky Exhibition catalogue Filonov forms futurist Gallery Goncharova ideas ideological industrial Inkhuk intuitive iskusstvo Ivan Kandinsky Kazimir Malevich Klyun Knave of Diamonds Kulbin leftist Lenin Leningrad Lissitzky London Lyubov Popova mass material means Mikhail Larionov modern Moscow Museum Narkompros nature Nikolai objects Olga Rozanova organized Osip Brik painterly painters Paris Petersburg Petrograd Photograph picture Popova portrait principles production proletarian art rayonism rayonist reality reprinted in bibl Revolution revolutionary Rozanova Russian art sculpture Sergei social socialist realism Studio style suprematism surface Tatlin texture tion translation Union of Youth Varvara Stepanova visual arts Vladimir Vladimir Tatlin workers World of Art Выставка др живопись Искусство Каталог Пг СПб стр