British Rock Modernism, 1967-1977: The Story of Music Hall in Rock

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Routledge, May 23, 2016 - Music - 192 pages
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British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols, and television films such as the Beatles' Magical Mystery Tour and the Rolling Stones' Rock and Roll Circus that defined rock's early high art moment. Faulk argues that these 'texts' disclose the primary strategies by which British rock groups, mostly comprised of young working and lower middle-class men, made their bid for aesthetic merit by sampling music hall sounds. The result was a symbolically charged form whose main purpose was to unsettle the hierarchy that set traditional popular culture above the new medium. Rock groups engaged with the music of the past in order both to demonstrate the comparative vitality of the new form and signify rock's new art status, compared to earlier British pop music. The book historicizes punk rock as a later development of earlier British rock, rather than a rupture. Unlike earlier groups, the Sex Pistols did not appropriate music hall form in an ironic way, but the band and their manager Malcolm McLaren were obsessed with the meaning of the past for the present in a distinctly modernist fashion.
 

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Contents

Introduction
1
1 British Pop Women Singers of the 1960s and the Struggle for Modern Identity
21
The Beatles Magical Mystery Tour
47
The Rolling Stones Rock and Roll Circus
77
4 The Kinks Are the Village Green Preservation Society and the Making of the Rock Auteur
105
The Sex Pistols MusicHall Revival
129
Conclusion
155
Bibliography
165
Index
173
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About the author (2016)

Barry J. Faulk is Associate Professor in the Department of English at Florida State University and author of Music Hall and Modernity: the Late Victorian Discovery of Popular Culture (2004).

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