Preface to Plato

Front Cover
Harvard University Press, 1963 - Literary Criticism - 328 pages
2 Reviews

Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought.

The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative.

The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.

 

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Contents

Plato on Poetry
3
Mimesis
20
Poetry as Preserved Communication
36
The Homeric Encyclopedia
61
Epic as Record versus Epic as Narrative
87
Hesiod on Poetry
97
The Oral Sources of the Hellenic Intelligence
115
The Homeric State of Mind
134
The Psychology of the Poetic Performance
145
The Content and Quality of the Poetised Statement
165
Psyche or the Separation of the Knower from the Known
197
The Recognition of the Known as Object
215
Poetry as Opinion
234
The Origin of the Theory of Forms
254
The Supreme Music is Philosophy
276
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