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HOW TO BECOME A MUSICAL
n THE EMERGENCE OF BASSETTO The iSSos
THE WELLTEMPERED CRITIC The i89os
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actor Albert Hall amateur artistic audience Augustus Harris Bach band Bayreuth Beethoven Berlioz better British music Carl Rosa century choir chord chorus clarionet composer concert conductor Covent Garden Crystal Palace Don Giovanni dramatic Drury Lane duet Eduard Strauss effect Elektra Elgar England English feeling Festival Figaro fugue genius German Gounod Handel hear heard Herr Richter instruments Italian less Liszt Lohengrin London lyric Madame Marie Roze master Meistersinger Mendelssohn Meyerbeer Miss Mlle modern movement Mozart musical critic musicians never opera oratorio orchestra ordinary overture Parsifal performance persons Philharmonic piano pianoforte pitch play players popular present produced rehearsal sang Santley scene Schumann score season Shakespear Shaw Shaw's shew shilling Siegfried Signor sing singers sonata song St James's Hall stage Star Strauss style success symphony taste tenor thing tion tone trombones trumpet violin vocal vocalists voice Wagner Theatre whilst write