How to Become a Musical Critic |
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Page 260
... thing , an exploded thing , a foolish thing , a parochial boorish thing , a thing that should be dropped by all good critics and discouraged by all good editors as bad form , bad manners , bad sense , bad journalism , bad politics , and ...
... thing , an exploded thing , a foolish thing , a parochial boorish thing , a thing that should be dropped by all good critics and discouraged by all good editors as bad form , bad manners , bad sense , bad journalism , bad politics , and ...
Page 271
... things when he himself wants them . This is the way of the true master . Mozart was able not only to write Don ... thing in a dozen different ways and on a dozen different scales according to circumstances . If you want to know who ...
... things when he himself wants them . This is the way of the true master . Mozart was able not only to write Don ... thing in a dozen different ways and on a dozen different scales according to circumstances . If you want to know who ...
Page 285
... thing to imagine you have a duffer and a blackguard and find you have a prophet and hero , and quite another to ... things - these fleets that cover miles of the sea , and these geniuses whose glory blazes throughout Europe — what is ...
... thing to imagine you have a duffer and a blackguard and find you have a prophet and hero , and quite another to ... things - these fleets that cover miles of the sea , and these geniuses whose glory blazes throughout Europe — what is ...
Contents
HOW TO BECOME A MUSICAL | 1 |
THE EMERGENCE OF BASSETTO The 1880s | 45 |
THE WELLTEMPERED CRITIC The 1890s | 175 |
Copyright | |
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actor Albert Hall amateur artistic audience Augustus Harris Bach band Bayreuth Beethoven Berlioz better British music Carl Rosa century choir chord chorus clarionet composer concert conductor Covent Garden Crystal Palace Die Walküre Die Zauberflöte Don Giovanni dramatic Drury Lane effect Elektra Elgar England English feeling Festival fugue genius German Gounod Handel hear heard Herr Richter instruments Italian less Liszt Lohengrin London lyric Madame Marie Roze master Meistersinger Mendelssohn Meyerbeer Miss Mlle modern movement Mozart musical critic musicians never opera oratorio orchestra overture Parsifal performance persons Philharmonic piano pianoforte pitch play players popular present produced rehearsal sang Santley scene Schumann score season Shakespear Shaw Shaw's shew shilling Signor sing singers sonata song St James's Hall stage Star Strauss style success symphony Tannhäuser taste tenor thing tion tone trombones trumpet violin vocal vocalists voice Wagner Theatre Walküre whilst write