Art & Film
Academy Editions, 1996 - Performing Arts - 92 pages
Since its inception in 1896, film has interacted continually with movements in art and criticism. Artists have been inspired by the fascination of the moving image and film makers have found their vision through the medium of painting. In today's multimedia age, film is seen as the ultimate visual art. This special issue published to tie in with the centenary of the invention of film presents an analysis of the subtle links between art and film, artist and filmmaker. It considers film as an inseperable element of contemporary art practice in the 1990s, and includes essays on the work of Peter Greenaway, performance artist Annie Griffin, Alain Fleischer, Beth B., and extracts from an interview with the late Derek Jarman.
5 pages matching action painting in this book
Results 1-3 of 5
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
action painting aesthetic Alain Fleischer Annie Griffin Art & Design artist audience back numbers becomes Beth B's body camera canvas Caravaggio Christian Boltanski cinema close-up contemporary art create critical cultural depicts Derek Jarman dialogue duration electronic event exhibition experience explore female fiction film's filmic filmmakers frame Gallery gaze Gillian Wearing Green Greenaway's Hollywood installation interest John Cage Ken Russell l've light live London lt's Luc Tuymans Lydia Lunch Mark Wallinger mirrors movement moving museum narrative Nick Zedd objects painter painting performance Peter Greenaway photographic played Pollock position produced projected projector Prospero's Books punk record red dress representation Richard Kern role scene screen script shot sound soundtrack space spatial studio super-8 technologies television theme tion tive traditional Tuymans viewer violence vision visual arts watch Whilst wish to subscribe woman Wyn-Evans York Zedd Zurbrugg