Art & FilmNicola Kearton Since its inception in 1896, film has interacted continually with movements in art and criticism. Artists have been inspired by the fascination of the moving image and film makers have found their vision through the medium of painting. In today's multimedia age, film is seen as the ultimate visual art. This special issue published to tie in with the centenary of the invention of film presents an analysis of the subtle links between art and film, artist and filmmaker. It considers film as an inseperable element of contemporary art practice in the 1990s, and includes essays on the work of Peter Greenaway, performance artist Annie Griffin, Alain Fleischer, Beth B., and extracts from an interview with the late Derek Jarman. |
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Page 62
... narrative of emplotment . It is , as one continues to look at the painting , a hermetic scenario played out in black and white . To decode its meaning and properly write the story one would need to read the ' script ' underlying the ...
... narrative of emplotment . It is , as one continues to look at the painting , a hermetic scenario played out in black and white . To decode its meaning and properly write the story one would need to read the ' script ' underlying the ...
Page 63
... narrative . The objects arrayed within the painting are each depicted in their own frontal perspective . What we initially regard as seen from one single , lens - like view , is rather split into a slightly adjusted multiple perspective ...
... narrative . The objects arrayed within the painting are each depicted in their own frontal perspective . What we initially regard as seen from one single , lens - like view , is rather split into a slightly adjusted multiple perspective ...
Page 85
... narrative story or an ' object ' , and their intention can be more exactly described as the crystallisation of an ... narrative content . Bacon achieved his capture of the event a spatialisation of time strictly within the confines of ...
... narrative story or an ' object ' , and their intention can be more exactly described as the crystallisation of an ... narrative content . Bacon achieved his capture of the event a spatialisation of time strictly within the confines of ...
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action painting aesthetic Alain Fleischer Annie Griffin Art & Design art and film artist audience back numbers becomes Beth B's body camera canvas Caravaggio Christian Boltanski cinema close-up contemporary art create critical cultural depicts Derek Jarman dialogue duration electronic event exhibition experience explore female fiction film's filmic filmmakers frame Gallery gaze Gillian Wearing Green Greenaway's Hollywood imagination installation interest John Cage Ken Russell light London Luc Tuymans Lydia Lunch Mark Wallinger mirrors movement moving museum narrative Nick Zedd objects painter painting Pathé performance Peter Greenaway photographic played Pollock position Post/Zip Code produced projected projector Prospero's Books punk rate I wish record red dress representation Richard Kern scene screen script shot sound soundtrack space spatial studio technologies television tion tive traditional Tuymans viewer violence vision visual arts watch Whilst wish to subscribe woman York Zedd Zurbrugg