Art & FilmNicola Kearton Since its inception in 1896, film has interacted continually with movements in art and criticism. Artists have been inspired by the fascination of the moving image and film makers have found their vision through the medium of painting. In today's multimedia age, film is seen as the ultimate visual art. This special issue published to tie in with the centenary of the invention of film presents an analysis of the subtle links between art and film, artist and filmmaker. It considers film as an inseperable element of contemporary art practice in the 1990s, and includes essays on the work of Peter Greenaway, performance artist Annie Griffin, Alain Fleischer, Beth B., and extracts from an interview with the late Derek Jarman. |
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Page 74
... spatial : it emerges both from the trans- missions of recording ( playback time , playback place ) and broadcasting ( simultaneity of dissociated spaces , temporal parallelism ) and links it to the ontology of film as a medium which ...
... spatial : it emerges both from the trans- missions of recording ( playback time , playback place ) and broadcasting ( simultaneity of dissociated spaces , temporal parallelism ) and links it to the ontology of film as a medium which ...
Page 86
... spatial term as in any other way . This conceit can then become the field in which concern for con- tent can also be addressed . Although Fiona Banner , Douglas Gordon and Henry Bond have all used film as a source for some of their work ...
... spatial term as in any other way . This conceit can then become the field in which concern for con- tent can also be addressed . Although Fiona Banner , Douglas Gordon and Henry Bond have all used film as a source for some of their work ...
Page 91
... spatial dynamic between watcher and watched that has occupied the heart of Craig Richardson's work . His sculp- ture plays with the language of Minimalism and its assertion of a spatial power and threat over the viewer . By posing the ...
... spatial dynamic between watcher and watched that has occupied the heart of Craig Richardson's work . His sculp- ture plays with the language of Minimalism and its assertion of a spatial power and threat over the viewer . By posing the ...
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action painting aesthetic Alain Fleischer Annie Griffin Art & Design art and film artist audience back numbers becomes Beth B's body camera canvas Caravaggio Christian Boltanski cinema close-up contemporary art create critical cultural depicts Derek Jarman dialogue duration electronic event exhibition experience explore female fiction film's filmic filmmakers frame Gallery gaze Gillian Wearing Green Greenaway's Hollywood imagination installation interest John Cage Ken Russell light London Luc Tuymans Lydia Lunch Mark Wallinger mirrors movement moving museum narrative Nick Zedd objects painter painting Pathé performance Peter Greenaway photographic played Pollock position Post/Zip Code produced projected projector Prospero's Books punk rate I wish record red dress representation Richard Kern scene screen script shot sound soundtrack space spatial studio technologies television tion tive traditional Tuymans viewer violence vision visual arts watch Whilst wish to subscribe woman York Zedd Zurbrugg