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Preface to Expanded Edition
Aristotle and the Greeks
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achieved acting action actor aesthetic analysis appeared approach argues Aristotle Aristotle's aroused Artaud artistic attempt audience authors Averroes Brecht Brunetiere calls century character classic comedy and tragedy concept concerns condemns conflict considered contemporary Corneille create critical cultural developed Diderot drama dramatic theory dramatist elements emotional emphasis English essay essentially expression expressionism feel feminist French genre German goal Greek Hegel hero historical human Ibid idea ideal imitation individual interest language literary literature Lope de Vega Lukacs major means Meyerhold Minturno modern moral nature neoclassic neoclassicism observations Oeuvres Paris passions performance play pleasure plot poet poetic poetry political preface production Racine realism reality rejected romantic romanticism rules says Scaliger Schiller Schlegel seek semiotic Shakespeare significant social society specific spectator stage Stanislavski structure suggests symbolist theatre theatrical theoretical theorists traditional tragic tragic hero tragicomedy trans Tulane Drama Review unity verisimilitude vision vols Voltaire writings York Zola