Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre

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Springer, Apr 11, 2011 - Literary Criticism - 200 pages
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.
 

Contents

Series Editors Preface
Voice Gesture Body and Mind
Notes
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About the author (2011)

EVELYN TRIBBLE Professor of English at the University of Otago, New Zealand. She is the author of Writing Material: Readings from Plato to the Digital Age (with Anne Trubek) and Margins and Marginality: The Printed Page in Early Modern England.