Makers: A History of American Studio Craft
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century.
More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative.
Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
84 pages matching University in this book
Results 1-3 of 84
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
abstract aesthetic American Art American Craft American Craft Council Anni Albers architecture art deco Art Museum art nouveau art pottery artists Arts and Crafts Bauhaus became began Boston bowls California carving Center century Ceramic Art ceramics ceramists chair Chicago clay Collection College color contemporary Courtesy Craft Horizons Crafts movement Craftsman craftspeople Cranbrook created decade decorative arts developed early enamel exhibition fabric fiber figure forms furniture Gallery Gift glass glaze Guild handmade industrial inspired Japanese jewelers jewelry kiln later Louis Comfort Tiffany magazine makers materials metal metalsmithing modern modernist Morris motifs Museum of Art objects painter painting patterns Peter Voulkos Photograph pieces porcelain pots produced quilts Quoted Robert Arneson Rudy Autio sculpture shapes silver silversmithing stoneware studio Studio Potter style surface taught teacher teaching technique textile Tiffany tiles tion traditional ture University vases vessels Voulkos ware weaving women wood woodworking workshop York