New Directions in Music |
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Page 167
... performance space . After the cybersonic console has developed a new map ( of the hornist's anti - resonant sounds ) , it no longer responds to the natural acoustical resonances of the space . The performance of Hornpipe has evolved ...
... performance space . After the cybersonic console has developed a new map ( of the hornist's anti - resonant sounds ) , it no longer responds to the natural acoustical resonances of the space . The performance of Hornpipe has evolved ...
Page 280
... performance takes place . Nam June Paik's In Homage to John Cage ( 1959 ) is equally in- determinate and in " happening " form . In its first performance Paik leaped offstage to Cage's seat , removed Cage's jacket and , as Tomkins has ...
... performance takes place . Nam June Paik's In Homage to John Cage ( 1959 ) is equally in- determinate and in " happening " form . In its first performance Paik leaped offstage to Cage's seat , removed Cage's jacket and , as Tomkins has ...
Page 295
... performance , the author utilized the insides of a piano , connecting and per- forming with the contact mikes directly on the strings and the sounding board . Other performers chose percussion instruments ( primarily bass drum and tam ...
... performance , the author utilized the insides of a piano , connecting and per- forming with the contact mikes directly on the strings and the sounding board . Other performers chose percussion instruments ( primarily bass drum and tam ...
Common terms and phrases
acoustical Addresses for record audience aural avant-garde basic bass Berio Boulez C. F. Peters cello chapter chord clarinet cluster complex composer composer's composition Computer Music concept concrète Contemporary Music Copyright CPE-Source created David Cope developed direction Donald Erb DURATION dynamics Edgard Varèse effects Electronic Music Ensemble example experimental Figure George George Crumb Gordon Mumma György Ligeti harmonic Iannis Xenakis improvisation indeterminacy instruments interesting involves John Cage Journal of Music Karlheinz Krzysztof Penderecki Ligeti Luciano Berio materials Mauricio Kagel modulation movement multimedia music publishers mentioned musique concrète notation notes orchestra Penderecki percussion permission piano piece pitch played possible Press projections Recorded on Columbia Recorded on CRI Recorded on Nonesuch rhythm rhythmic Robert Schirmer score solo sonic sound-mass Stockhausen string structure style Symphony Synthesizer tape techniques timbre tonal tones traditional twelve-tone Universal Edition Varèse Variations violin visual voice Xenakis York