New Directions in Music |
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Page 72
David Cope. Rhythmic Developments and Control Rhythmically motivated sound - mass structures , while not singularly identi- fiable as an organic evolution of new rhythms , have contributed greatly to the breakdown of vertical and ...
David Cope. Rhythmic Developments and Control Rhythmically motivated sound - mass structures , while not singularly identi- fiable as an organic evolution of new rhythms , have contributed greatly to the breakdown of vertical and ...
Page 82
... rhythmic structures . Carter , Elliott . " The Rhythmic Basis of American Music . " Score 12 , no . 27 , June , 1955 . Christiansen , Louis . " Introduction to the Music of György Ligeti , " Numus West 2 , Feb. 1972. Excellent overview ...
... rhythmic structures . Carter , Elliott . " The Rhythmic Basis of American Music . " Score 12 , no . 27 , June , 1955 . Christiansen , Louis . " Introduction to the Music of György Ligeti , " Numus West 2 , Feb. 1972. Excellent overview ...
Page 350
... rhythmic development . 3 These escalate to involved rhythmic schemes around repeated couplets ( i.e. , two - note groupings reoccurring in an environment of constantly shifting rhythmic design , reminiscent in some ways of Rzewski's ...
... rhythmic development . 3 These escalate to involved rhythmic schemes around repeated couplets ( i.e. , two - note groupings reoccurring in an environment of constantly shifting rhythmic design , reminiscent in some ways of Rzewski's ...
Common terms and phrases
acoustical Addresses for record audience aural avant-garde basic bass Berio Boulez C. F. Peters cello chapter chord clarinet cluster complex composer composer's composition Computer Music concept concrète Contemporary Music Copyright CPE-Source created David Cope developed direction Donald Erb DURATION dynamics Edgard Varèse effects Electronic Music Ensemble example experimental Figure George George Crumb Gordon Mumma György Ligeti harmonic Iannis Xenakis improvisation indeterminacy instruments interesting involves John Cage Journal of Music Karlheinz Krzysztof Penderecki Ligeti Luciano Berio materials Mauricio Kagel modulation movement multimedia music publishers mentioned musique concrète notation notes orchestra Penderecki percussion permission piano piece pitch played possible Press projections Recorded on Columbia Recorded on CRI Recorded on Nonesuch rhythm rhythmic Robert Schirmer score solo sonic sound-mass Stockhausen string structure style Symphony Synthesizer tape techniques timbre tonal tones traditional twelve-tone Universal Edition Varèse Variations violin visual voice Xenakis York