The Schillinger System of Musical Composition, Volume 1 |
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The Schillinger System Of Musical Composition, Volume 1 Joseph Schillinger No preview available - 1978 |
Common terms and phrases
applied attack-groups auxiliary tones axial combination b₁ b₂ bars bass binomial c₂ cadence CF CP Chapter chord chordal functions chordal tones chromatic group chromatic scale circular permutations composers composition concluded const contrapuntal corresponding counterpoint CP CF d₂ Diatonic melodization dissonance distribution durations E₁ e₂ equal temperament evolved example f₂ four tonics fugue geometrical inversions graph harmonic continuity hybrid identical intervals intonation J. S. Bach key signatures melodic continuity melodic forms melody modulation monomial motif motion musical notation number of attacks number of terms obtain octave original ostinato passing tones patterns pedal point pitch pitch-ratio pitch-scales pitch-units position primary axis produce ratios resolution resultants rhythmic S₁ S₂ Schillinger System Schillinger's secondary axes sectional scales semitones sequence seventh structures summation series Symmetric harmonization symmetric progressions synchronized T₁ technique tension theme tonal expansion Total number trajectory transformations trinomial two-part counterpoint units variable variation voices