Music Cultures of the Pacific: The Near East, and Asia |
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Contents
Australia and the Pacific Islands I | 1 |
The Philippines Borneo and Indonesia | 20 |
The Philippines 20 Music in Borneo 24 Indonesiaa historical | 31 |
Copyright | |
6 other sections not shown
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Common terms and phrases
accompaniment aerophone Africa ancient Arab Arnhem Land art music Balinese bamboo band basic beats Borneo bowed lute called Central Asian century B.C. ch'in chants China Chinese music chordophones classical music colotomic colotomic structure cymbals dance dastgah drone drum dynasty East ensembles Ethnomusicology figure Folkways Records gagaku gamelan gongs groups Guinea heterophonic idiophone Indian music indigenous Indonesia influence instru Islamic Jaap Kunst Japan kabuki Korean lute melody ment Moslem musical instruments musicians native North notation notes Oceania octave opera orchestras pan-Islamic patterns pentatonic performance permission of Folkways Persian Philippines pieces pipes pitch Plate played player plucked lute raga rebab resonance rhythm rhythmic scale shamisen shown in Example singer singing slendro solo songs sound Southeast Asia specific strings style sung T'ang tala theatrical theory Tibet tion tonal tone systems traditional music transcribed tsuzumi Tuareg tube tuned variations various vocal Western music xylophones zither
Bibliographic information
| Title | Music Cultures of the Pacific: The Near East, and Asia Prentice-Hall history of music series |
| Author | William P. Malm |
| Publisher | Prentice-Hall, 1967 |
| Original from | the University of Michigan |
| Digitized | Nov 5, 2008 |
| Length | 169 pages |
| Export Citation | BiBTeX EndNote RefMan |