Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture

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University of Illinois Press, 1999 - Music - 444 pages
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The songs, dances, jokes, parodies, spoofs, and skits of blackface groups
such as the Virginia Minstrels and Buckley's Serenaders became wildly
popular in antebellum America. Behind the Burnt Cork Mask not only
explores the racist practices of these entertainers but considers their
performances as troubled representations of ethnicity, class, gender,
and culture in the nineteenth century.
William J. Mahar's unprecedented archival study of playbills, newspapers,
sketches, monologues, and music engages new sources previously not considered
in twentieth-century scholarship. More than any other study of its kind,
Behind the Burnt Cork Mask investigates the relationships between
blackface comedy and other Western genres and traditions; between the
music of minstrel shows and its European sources; and between "popular"
and "elite" constructions of culture.
By locating minstrel performances within their complex sites of production,
Mahar offers a significant reassessment of the historiography of the field.
Behind the Burnt Cork Mask promises to redefine the study of blackface
minstrelsy, charting new directions for future inquiries by scholars in
American studies, popular culture, and musicology.
 

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Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture

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This monograph, part of the distinguished "Music in American Life" series, is an interdisciplinary study drawing on music, performance, and theater history to examine the beginnings of an influential ... Read full review

Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture

User Review  - Not Available - Book Verdict

This monograph, part of the distinguished "Music in American Life" series, is an interdisciplinary study drawing on music, performance, and theater history to examine the beginnings of an influential ... Read full review

Contents

V
9
VI
42
VII
59
VIII
101
IX
157
X
195
XI
268
XII
329
XIII
355
XIV
364
XV
367
XVI
369
XVII
413
XVIII
431
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