Avant-garde Film: Forms, Themes and Passions
Wallflower Press, 2003 - 136 psl.
Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.
Ką žmonės sako - Rašyti recenziją
Neradome recenzijų įprastose vietose.
the european avantgardes
british avantgarde film
the aesthetics of the frame
the new wave
sex drugs and structure
form degree zero
the ghost in the machine
the young british artists
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abstract achieved activity aesthetic American Anger approach argued artists aspects associated avant avant-garde film body Brakhage British Buñuel camera central cinema classic close-up colour complex critical culture Deren documentary early editing Eisenstein embraced especially established European example experience experimental expression fact fairly feel figure film-makers film's formal frame French Gidal Godard Grice hand historical Hollywood idea included influence influential intense Italy John kind largely late light London looking mainstream material matter means medium modernist montage movement moving narrative nature Night objects painting performance perhaps period political Press production reality representation Romantics scene screen seems seen sense sequence shapes shared shot simply Sitney Smith Soviet space strong structure Study style suggests surface Surrealism surrealist tradition University Unlike Vertov visual Warhol York young
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