Effective TV production
The book shows how, within the often severe limitations of time and money, it is possible to originate interesting and competitive television programmes. It describes the essentials of good camerawork and relates them to considerations of audio, staging, lighting, make-up and wardrobe techniques and the way in which a production is developed in approach and style form the initial stages to the moment of shooting. This edition is substantially revised to reflect developments in technology and contemporary production styles. Gerald Millerson'd books on television have long been acknowledged as among the best ever published. Learn all about the various jobs in television and how they interrelate.Gain a comprehensive overview of the stages through which a television programme must pass before the moment of shooting.Revised to bring you up to date with the latest developments in technology and contemporary production styles.
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lNTRODUCTlON LONG SHOTS
CAMERA CONTROLS 16 Framing
WlDE ANGLE LENS 22 The mix dissolve
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action adjust alter angle lens angle of view appear arranged audience audio engineer Avoid background become Camera dollies camera height camera movement camera moves camera viewpoint cameraman camerawork changes chroma-key close shots close-up colour continuity create crew cyclorama depth of field detail director distance distracting dolly dramatic editing effect ensure equipment facilities fade film floor focus focused foreground frame graphics inserts intercut layout lens angle Lens flares lighting treatment lnstead long shot look make-up mechanics methods mike normal lens operations organisation overall particularly performers planning presentation problems production control room PRODUCTlON programme prompter recording rehearsal scene scenery scenic screen script selected shadows shooting slides sound boom staging static subject movement switcher switching talkback techniques titling TV camera videotape viewer vision mixer visual wide angle wide angle lens zoom lens