Cubism and 20th Century Art"Rather than restricting himself largely to a consideration of Cubism's formative period, 1907 to 1914, Rosenblum expands the focus to include not only a thorough study of the foundations of Cubism in the work of Picasso, Braque, Gris, Leger, and their Parisian followers, but also an analysis of the major pictorial and sculptural styles of our time, both in Europe and America. In addition, then, to examining the work of such relatively faithful adherents to the Cubist viewpoint as Villon, Feininger, and Stuart Davis, he indicates how Cubism provided the means to achieve the diverse artistic goals to such movements as Futurism and such masters as Duchamp, Marc, Mondrian, Miro, and Chagall."--BOOK COVER. |
Contents
Juan Gris | 111 |
Léger and Purism | 133 |
The Parisian Satellites | 157 |
Copyright | |
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abstract aesthetic Albert Gleizes Analytic Cubism Apollinaire Archipenko architecture artists bibliography Boccioni bottle Braque and Picasso Braque's canvas Céret Cézanne Cézanne's Chagall collage color complex contemporary contours contrast Cubist art Cubist painting Cubist vocabulary Delaunay Demoiselles d'Avignon Duchamp Duchamp-Villon earlier evoke exhibition explicit Feininger Fernand Léger figure flat forms fragments French Fresnaye Futurists Gallery geometric Georges Braque goblet Gris's Guitar head Henry Kahnweiler human illusion irregular Jacques Villon Joan Miró Juan Gris Kahnweiler Klee landscape Les Demoiselles d'Avignon Lipchitz literal machine Marc Marcoussis masters Metzinger Miró modern Mondrian movement Nicholson Nude Pablo Picasso painter palette parallels Paris Parisian patterns Picabia Picasso and Braque pictorial Piet Mondrian portrait reality Salon Salon des Indépendants Section d'Or shapes solid and void space Spanish spatial still-life objects strange structure studies of Cubism style suggested symbols Synthetic Cubism table top texture theme tion tradition transformed trompe-l'oeil vertical Villon Violin visual York