Art and illusion: a study in the psychology of pictorial representation
This book is a classic study of image-making, which seeks the answer to an apparently simple but fundamental question: Why is there such a thing as style? In his wide-ranging exploration of the history of representation, Professor Gombrich examines old and new ideas on the imitation of nature, the function of tradition, the problem of abstraction and the interpretation of expression. Art and Illusion was described by Lord Clark as 'one of the most brilliant books on art criticism I have ever read', and was selected by Hugh Trevor-Roper in 1994 as one of the five works which he believes to have been the greatest and most influential in the last half-century.
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From Light into Paint fepD
II Truth and the Stereotype
in Pygmalions Power
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Agostino Carracci Alexander Cozens ambiguity appear artist aware called canvas caricature century chapter cited classical antiquity Claude Lorrain clues colour Constable's context copy Cozens critics cubism discovery discussed drawing effect Egyptian Ernst Kris experience expression fact famous figure Gallery of Art historian history of art idea illusion illusionist illustrations imagination imitation interpretation invention J. J. Gibson John Constable Julius von Schlosser Kunst language learned Leonardo da Vinci light look means mental set method mind motif Museum National Gallery nature never object painter Paris pattern Perception perhaps perspective Philostratus photograph picture Plato portrait poster problem projection psychology reading reality Rembrandt rendering represent representation Ruskin schema schemata seen shapes story style suggest theory things tion Topffer tradition trick truth Vasari visible world vision visual Visual Perception Wivenhoe Park woodcut York and London
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Metahistory: The Historical Imagination in Nineteenth-Century Europe
Limited preview - 1975